THE WALNUT STREET GALLERY which has hosted so many excellent ALL AGES shows in the past is opening its doors again for the album release party of the most choice TWIN CITIES. Also joined by young rippers KILL VARGAS and the pristine dreamy indie pop POSTBOY.
ALL AGES // $3 // 7:30 // NOV 6
112 S Walnut, Wichita KS in Delano
It seems like the last few years there have been an increasing number of completely excellent shows, so much to the point that I sometimes I have to stop and wonder if the music is really getting better or if I suddenly just started liking everything I hear. I’m pretty sure there are just a lot of killer bands out there, and I’m pretty sure tonight is going to be another one of those magical nights where I experience something my brain and heart can hardly handle. I rarely say ‘don’t fuck up by missing this show!’ but seriously,
DON’T FUCK UP BY MISSING THIS SHOW.
Tonight at Kirbys B. Store. The best possible of times, for the sweet sweet price of $$$tip$$$.
SUNDAY NIGHT FUN NIGHT!
10PM // TIP$ // BRING FRIENDS!
CHRISTIAN DIOR (MADISON)
FLOWER OF FLESH AND BLOOD
Madison duo Christian Dior works in a grimy blur of immediacy, swinging from shoegaze tenderness to snide punk outbursts on the new Patriot Glass/Dioria tape. Each side has only three tracks but functions as its own separate EP, one produced by guitarist/vocalist Spencer Bible and the other by drummer Mike Pellino. While the whole tape’s an admittedly lo-fi, that doesn’t mean production was an afterthought: “Iodine,” on Pellino’s more layered, digitally produced side, builds its melody through quiet, morose swells and a restrained vocal from Bible, whereas “Tarsands,” on Bible’s side, uses a stripped-down, one take approach to create a sense of nullifying claustrophobia.
Kid Congo Powers
Ex guitarist for The Cramps, Nick Cave and the Bad Seeds, and The Gun Club.
Charlie Megira charliemegira.bandcamp.com
Domestic Drone domesticdrone.bandcamp.com
Kid Congo & The Pink Monkey Birds
Waking from a nap in the swamps of outer space, Kid Congo & The Pink Monkey Birds ride a geisterbahn into the hypnagogic, a place between sleep and consciousness also known as the “Haunted Head”. “Haunted Head” is the third LP Kid Congo & The Pink Monkey Birds has oozed out for In The Red Records. Legendary guitar stylist Kid Congo Powers (The Gun Club, The Cramps, Nick Cave and The Bad Seeds) and long time cohorts, bassist Kiki Solis (Knife In The Water), drummer Ron Miller (Up The Academy), and guitarist Jesse Roberts (Sandrider, The Ruby Doe) take matters into their own mitts by having Jesse engineer and Ron mix the record at the now well-known Harveyville Project High School in Kansas. “Haunted Head” reflects the band at its purest distillation. The Pink Monkey Birds create a cocktail of fuzz guitars, New Orleans drum beats, soulful strut bass lines, and sonic ambrosia from beyond. The trip of your dreams includes the “cheap and tawdry” in a tribute to dearly departed actress Susan Tyrell (“Su Su”), the morphing of Jerry Lee Lewis with Phyllis Diller (“Killer Diller”) and the plain ol’ insanity of romantic love (“Dance Me Swamply”). The band will also tell you how they LIKE “the mondos and the cholos and the weirdos and he freaks” on the rollicking track “Let’s Go!” and how they DON’T LIKE “neocons in square back suits” and “throwing up in a dirty phone booth “ on the punky proclamation “I Don’t Like”. I mean, who does? In the title ballad “Haunted Head”, Kid Congo & The Pink Monkey Birds ask the listener “What’s inside your Haunted Head? Are you alive or are you dead? Are you kissing and a huggin? Are you pushin’ and a shoving? “. Perhaps only in dreams could you answer such a question.
From what remains of the all-ages scene in Wichita, two badass punk bands, Kill Vargas and Slime Flower, have emerged to remind everyone that you don’t need to be old enough to get into a bar to rock and roll and melt peoples faces.
Kill Vargas is punk of the pop variety, but you can hear a wide range of influences driving the music that keep it from feeling prepackaged or fake. I saw them at the LuLu Temple of Doom last month with the Serpent Overlord, Bastard Glow, and the Earth Dies Screaming and they definitely held their own. The vocals, more often than not, owe an obvious debt to Billie Joe Armstrong, but can easily veer off into Sex Pistols territory and beyond. The drums and bass bring it hard, but with Nirvana-esque intensity/volume drops that lull you back into a song only to burst back with a primitive garage rock stomp or classic punk rhythm. Kill Vargas talk a lot about riffs, and interestingly, the bass seems to take the load of the riffage responsibilities in the band. The guitar is definitely a presence but is sometimes meandering and thin, filling in the top end of the bands sonic space but only occasionally shining through. The most important thing I can tell you about Kill Vargas is that these boys are in it 100%. There is hardly a moment in the show where the teenage energy isn’t coming through not only in the music but in the gyrating, head banging, and general punk-rock-style-body-moving (lol) that brings to mind the on stage antics of the Blind Shake. These dudes obviously care about their music – and the awesome songs they’re putting out make it easy to care right along with them. Should you go see Kill Vargas? Yes! Today at 5pm at ICT Fest!
Slime Flower, who played the opening night of ICT Fest, are more of a garage punk/shitgaze band. Not nearly as tightly honed as the pop-punk of Kill Vargas, Slime Flower’s more primal delivery manages to become the musical embodiment of the raging teenage hormones that punk aspires to. Probably because they aren’t trying for it, they’re just living it. The guitar is featured instrument in this band, from big chugging power chords while the bass is riffing, to crazy angular solos equal parts beautiful and dissonant. The bass playing is increasingly more solid with every performance and never fails to get the job done. Not every drum fill, at the moment, seems to start or end exactly as planned but that just makes it sound that much sweeter when they really nail it. In a genre where exactitude can threaten to kill the soul of the music, Slime Flower are riding the wave of imperfection into the hearts of everybody that sees them. Cath their awesome, perfect, and totally botched take on the Stooges “I Wanna Be Your Dog” and you’ll know exactly what I mean.
Keep your eye out for show announcements from both bands and be sure to catch Kill Vargas today next to the the Skate Park at 5pm for ICT Fest!
For more info check: https://www.facebook.com/KillVargas and https://www.facebook.com/slimeflower
The Escatones are supposedly a psychedelic-surf/garage rock band – but don’t expect a farfisa organ or strobe light timed to the tremolo pedal. The Escatones choose artistry over artifice 100% of the time. They draw on a wide range of influences that lets them ride a fresher wave than most neo-psych bands and garage/surf revivalists without straying far from the roots of the genre.
A band with their killer chops and damn good songs has no real need for live gimmicks, but that doesn’t stop the Escatones from regularly stripping down for a mid-performance dance party as you may have seen at their local Kirby’s and Eagles Lodge shows. The Escatones have put out a steady stream of solid records on the Artificial Head label. “So Long, Norman” is their latest release.